Taegeuk Six – Yuk Jang
The symbol of water (‘kam’) characterises Taegeuk six, and means incessant flow and softness. Like water that always flows down, the movements here are fluid, flowing into one another. This image teaches us that difficulties and misfortune can be overcome if we proceed with confidence. The movements have been developed with this idea in mind, follow the flow of water; individual parts are bridged by kicking action of the feet.
Taegeuk Six Depiction
Taegeuk Six Techniques
Order |
Stance |
Technique(s) |
Korean |
1 |
Front |
Low block | Arae-makki |
2 |
Back |
Front kick + Outer block | Ap-chagi + momtong bakkat-makki |
3 |
Front |
Low block | Arae-makki |
4 |
Back |
Front kick + Outer block | Ap-chagi + momtong bakkat-makki |
5 |
Front |
Knifehand twisting block | Hansonnal bitureo-makki |
6 |
|
Roundhouse kick | Dollyo-chagi |
7 |
Front |
Outer face block + body punch | Olgul bakkat-makki + momtong baro-jireugi |
8 |
Front |
Front kick + body punch | Ap-chagi + momtong baro-jireugi |
9 |
Front |
Outer face block + body punch | Olgul bakkat-makki + momtong baro-jireugi |
10 |
Front |
Front kick + body punch | Ap-chagi + momtong baro-jireugi |
11 |
Parallel |
Low wedging block (5 seconds) | Arae hecho-makki |
12 |
Front |
Knifehand twisting block | Hansonnal bitureo-makki |
13 |
|
Roundhouse kick “kihap” | Dollyo-chagi |
14 |
Front |
Low block | Arae-makki |
15 |
Back |
Front kick + outer block | Ap-chagi + momtong bakkat-makki |
16 |
Front |
Low block | Arae-makki |
17 |
Back |
Front kick + outer block | Ap-chagi + momtong bakkat-makki |
18 |
Back |
Knifehand assisting block | Sonnal momtong-makki |
19 |
Back |
Knifehand assisting block | Sonnal momtong-makki |
20 |
Front |
Palm heel body block + punch | Batangson momtong-makki + momtong baro-jireugi |
21 |
Front |
Palm heel body block + punch | Batangson momtong-makki + momtong baro-jireugi |
22 |
Parallel |
Right foot steps backwards | Kibon jumbi-seogi |